This report compiles a first estimate of the total CDR being deployed (2 GtCO2/yr), and is a global assessment of the current state of CDR and the gap we need to close to achieve the Paris temperature goal. Full report is here http://stateofcdr.org
I has the privilege of working with the scientists and experts from all the institutions as well as Angela Morelli and getting this important information out there in an accessible and visual way.
Here are a selection of the graphics from the report.
For the past couple of years, I have been looking back on a monthly basis at graphics that I produced whilst at New Scientist 10 years ago. I have had fun commenting on the good, bad and indifferent things that I find in the graphics. From colours and styles as well as the technology. I have decided to change this monthly look back to a quarterly review. I did this first over the summer – link here – and think a quarterly look back will allow me to pick some howlers and well as -hopefully- showcase some stunners!
The next one will cover July, August and September 2012 and will be the autumn round-up…due end of September.
Thank you to all that have looked in the past and I hope that you carry on enjoying the round-up on a less frequent basis.
Following on from some of my black and white gardening illustrations here I thought I would also show some of my colour illustrations first produced for New Scientist in 1990!.
The process was very different and everything was hand drawn, or in this case hand drawn and then painted using watercolours onto watercolour paper…registration marks were placed on the paper…
…we then used an acetate overlay to draw on arrows showing water flow – specified to be 60% Cyan for the printer – plus a front view drawn in ink – to be black. The text was typed and printed from a computer and stuck on this layer using Cow Gum. Registration marks to align with the layer below…
…another layer of acetate was used to show the water flow arrows (60% Cyan) over the top of the black lines black pointers for the text…
…any other particular instructions for the printer were then included on these layers. Only then was it sent off for proofing and printing, sometimes never to be seen until the magazine arrived in the office!
Here is a very bad image (only one I could find) of the printed version from February 1990 along with a hand drawn graphic showing transport costs.
Another example here, showing the same process just as a comparison…
Just an excuse to show some of my old work before the daily use of a Apple Mac was involved.
I was working as a freelancer when this was done and I was involved with the gardening section of the Sunday Times at the time. It was always good to see my illustrations on the back page of the garden section. My contact and gardening expert at the time was Graham Rose.
This was taken from sketches I made of actual gardens in-situ (mostly London based) and then drawn up to scale and design on CS10 paper and Rotring pens, with lots of scraping out of ink blots!. The numbers were glued on using the wonderful Cow Gum.
inset to show some of the detail…
and again, an inset to show the detail.
More to come in #2 with watercolours, Tomatoes, overlays, CMYK markups, and a Nautilus…
I always sketch my ideas to help me to understand the subject matter, to come up with concepts and ideas for the visuals, and to be able to look back and see what my thoughts and ideas were. Here are a few from a recent commission from Scientific American, published in the November 2018 issue on the subject of gravitational lensing.
I see this many times a week when ‘infographics’ are shared on social media.
This was shared on LinkedIn recently..what’s missing?
What’s missing is the data, in a visual way. Too much time has been spent on producing the nice icons (which are important for context), making them stand out in white on a dark blue background and the text is white as well. The tile of the graphic is ‘Number of years it took for each product to reach 50 million users’ – so where is are the number of years? They are written numerically, which is ok, but are a smaller font size and produce in a lighter blue on a dark blue background.
The graphic is hiding the data, the important piece of the graphic. That data should be seen first, or at least, seen easily. So why hide it.
Infographic = information + graphic
Here’s the data produced in a visual form. IMHO a much neater way of seeing what the graphic is supposed to be showing.
The icons can be added to it to give context if needed, but the graphic should show the information (data) first.